Sounds of Salem

Join us this summer for a concert series celebrating the remarkable 250-year influence of Moravian music on the American sound.
All funds go to support Old Salem Museums and Gardens.

Thank you to our event sponsors!

Dr. & Mrs. Eugene Adcock, III

William Kenan Endowment

Mitchell’s Piano Gallery


All concerts to take place in Gray Auditorium in the Old Salem Visitor’s Center.


In Honor of Peter Oliver
June 13th, 2026 | 2:00 PM

On June 13, 1800, a craftsman named Peter Oliver purchased his freedom from enslavement through the sale of his own work. That same year, the Tannenberg Organ was erected in Salem. Oliver returned to his home in Salem, where he lived as a valued member of the community and the Moravian Church.

Join us to celebrate the life and work of Peter Oliver with music from our historic Tannenberg Organ, the very same instrument for which Oliver once pumped the bellows more than 200 years ago. Featuring Timothy Olsen, an extraordinary organist with a passion for education and accessibility, and Jonathan Williams, who has deep ties to Moravian music and historic instruments.

In addition to the concert, you also have the opportunity to learn more about Peter Oliver at 1:00 PM in the Visitor Center from guest speaker Sabrina Garity.

This Peter Oliver celebration was produced in collaboration with the Moravian Music Foundation, Creative Corridors, the Moravian Archives, and the Wachovia Historical Society.

Meet the Musicians

Timothy Olsen

Dr. Timothy Olsen, as Kenan Professor of Organ at UNC School of the Arts and Associate Professor of Organ at Salem College, enjoys working with a wide range of students—from those just beginning their study at the organ to high level graduate students. Dr. Olsen’s desire to expose the organ and its repertoire has led him to collaborate with local colleagues organizing an annual “Sounds of the Summer” organ recital series in Winston-Salem, NC, as well as an annual Salem Bach Festival for which he plays organ and harpsichord. Dr. Olsen is a graduate of Concordia College in Moorhead, MN (BM) and the Eastman School of Music in Rochester, NY (MM, DMA). He currently resides in Pfafftown, NC with his wife, three boys, and their Chihuahua, Milo Bjørn.

Jonathan Williams

Jonathan Williams is an organist and church musician who has served in leadership roles across North Carolina and Alabama, including Director of Music/Organist at Kernersville Moravian Church and Organist/Accompanist at Ardmore Baptist Church in Winston-Salem. At Ardmore, he chaired the Arts at Ardmore series and helped lead the biennial Keyboards at Christmas. He previously served for seven years as organist/choirmaster at Thomasville United Methodist Church in Alabama.
Jonathan studied organ performance with Faythe Freese at the University of Alabama, where he won multiple organ competitions, and completed undergraduate studies at The College of Wooster. He also serves on the Board of Trustees for the Moravian Music Foundation.


Moravian Chamber Music
June 27th, 2026 | 2:00 PM

Moravian chamber music played an important role in shaping the early sound of American chamber music. Moravians were known for their careful record-keeping, copying, performing, and preserving hundreds of European works, often earlier or in greater numbers than elsewhere in the colonies. In some cases, their archives hold rare or even unique pieces, helping determine what music was available and known in early America.

Moravian composers, such as Johann Friedrich Peter, also contributed original chamber works. Their music blends European Classical style with local needs and available instruments, representing some of the earliest chamber compositions created and performed in what would become the United States.

This concert brings that legacy to life with selections from the Moravian Music Foundation archives, celebrating the lasting impact of Moravian music on the American tradition.

Meet the Musicians

Kinard Douthit

Flutist, Dr. Kinard Douthit is an avid performer and music educator from Winston-Salem, North Carolina. Currently, Dr. Douthit is an Associate Professor of Music at Winston-Salem State University. He is Coordinator of Music Business, Assistant Director of Bands, and Instructor of Flute, and also conductors the WSSU Flute Choir. He is the Principal Flutist of the Piedmont Wind Symphony and maintains a residency at Wentz Memorial United Church of Christ.
Dr. Douthit completed the Bachelor of Music degree in Music Education from Appalachian State University, the Master of Music degree in Flute Performance from the North Carolina School of the Arts, and the Doctor of Musical Arts degree from the University of North Carolina at Greensboro. His research focuses on African-American composers of flute music and flute pedagogical techniques.

Jonathan Williams

Jonathan Williams is an organist and church musician who has served in leadership roles across North Carolina and Alabama, including Director of Music/Organist at Kernersville Moravian Church and Organist/Accompanist at Ardmore Baptist Church in Winston-Salem. At Ardmore, he chaired the Arts at Ardmore series and helped lead the biennial Keyboards at Christmas. He previously served for seven years as organist/choirmaster at Thomasville United Methodist Church in Alabama.
Jonathan studied organ performance with Faythe Freese at the University of Alabama, where he won multiple organ competitions, and completed undergraduate studies at The College of Wooster. He also serves on the Board of Trustees for the Moravian Music Foundation.


Psalm of Joy
July 4th, 2026 | 3:00 PM

Johann Friedrich Peter’s Psalm of Joy (1783) offers a clear glimpse into how the Moravian composers brought European Classical style to an American setting. Like much Moravian music, it was not written for a distant

Join us on America’s 250th birthday for a special performance of one of our first American anthems. Psalm of Joy was composed for Salem’s first Independence Day celebration in 1783. A Moravian minister as well as a talented musician, Peter infused the work with themes of peace and thanksgiving. The piece blends accessibility with sophistication: approachable enough for community participation, yet clearly influenced by composers like Haydn and other Central European contemporaries. That balance is part of what makes Peter’s work so significant in early American music history.

After the Revolutionary War, the Moravians found themselves citizens of a brand-new nation. They marked the moment the way they always had, through music.

Historically, the piece also reflects the Moravian view of music as a vital form of worship and shared experience. Today, works like this are often revived through institutions such as our own Moravian Music Foundation, offering a glimpse into a musical culture that helped lay the groundwork for America’s early classical traditions.

Meet the Musicians

The Moramus Chorale is a concert-level and recording-level performance ensemble within the Moravian Music Foundation.

They have premiered new works by living composers and presented “first modern performances” of many (newly edited) works by historic composers.

Director: Amanda Moody-Schumpert
Accompanist: Mary Lou Kapp Peeples


Evolution of the American Keyboard
July 18th, 2026 | 2:00 PM

From the historic Tannenberg Organ in Salem to the modern baby grand piano, this concert traces the evolution of the American keyboard. Experience the distinct sounds of organ, harpsichord, and piano as they tell the story of a nation’s musical journey. How did American music grow from Revolutionary-era Moravian practices to George Gershwin’s iconic Rhapsody in Blue? We explore that thread of connection as we celebrate 250 years of American music, right where that story began.

Meet the Musicians

Myron D. Brown

Myron D. Brown, a native of Birmingham, AL, is an acclaimed pianist and Chair of the Department of Music at Winston-Salem State University. He has been a recurring guest artist at the Colour of Music Festival and is also a champion of multi-piano literature, where he has been featured each year in the Roomful of Pianos showcase at the NAMM Show.
Equally as distinguished in gospel music as he is with classical repertoire, he serves as Minister of Music for the Western North Carolina Chapter of the Gospel Music Workshop of America. Dr. Brown holds a Doctor of Musical Arts in piano performance from the University of Cincinnati. He remains a prominent performer, adjudicator, and leader within the North Carolina arts community.

Dreama Lovitt

Dreama Lovitt currently serves as the Director of Traditional Music and Organist at West Market Street UMC, Greensboro, is the Visiting Director of Choral Activities at Salem College, Winston-Salem, and privately teaches piano and organ. She holds a BM Degree from the University of Richmond, VA, where she studied organ with Suzanne Bunting and Suzanne Riehl and piano with Richard Becker. She holds a MM Degree in Organ Performance and Literature from the Eastman School of Music, Rochester, NY, where she studied organ with Swedish organist Hans Davidsson and keyboard technique with Ulrika Davidsson, particularly for use with the clavichord and organ. She has sought additional input from international organists Hans Fagius, Daniel Roth, and others, and has performed in the US, Italy, Sweden, and France. In addition, she has pursued coursework in Dalcroze Eurhythmics in the US and at the Institut Jaques-Dalcroze in Geneva, Switzerland.

Timothy Olsen

Dr. Timothy Olsen, as Kenan Professor of Organ at UNC School of the Arts and Associate Professor of Organ at Salem College, enjoys working with a wide range of students—from those just beginning their study at the organ to high level graduate students. Dr. Olsen’s desire to expose the organ and its repertoire has led him to collaborate with local colleagues organizing an annual “Sounds of the Summer” organ recital series in Winston-Salem, NC, as well as an annual Salem Bach Festival for which he plays organ and harpsichord. Dr. Olsen is a graduate of Concordia College in Moorhead, MN (BM) and the Eastman School of Music in Rochester, NY (MM, DMA). He currently resides in Pfafftown, NC with his wife, three boys, and their Chihuahua, Milo Bjørn.